Godzilla: The Planet Eater


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Godzilla: The Planet Eater

Godzilla - The Planet Eater ein Film von Hiroyuki Seshita und Kobun Shizuno. Inhaltsangabe: Dritter Teil der animierten „Godzilla“-Filmreihe, die in Deutschland. Mit GODZILLA – THE PLANET EATER ist die Anime-Trilogie auf Netflix endlich abgeschlossen. In ihrer Gesamtheit ist dies eine tolle Filmreihe. Subscribe To MovieAccessTrailers To Catch Up All The New Movie Trailer, Movie Clips, TV Spots GODZILLA The Planet Eater | Netflix Official SiteYour browser.

Godzilla: The Planet Eater GODZILLA The Planet Eater

Der mächtige, dreiköpfige Riesendrache King Ghidorah droht, die Erde und die darauf lebenden Menschen zu zerstören. Die Menschheit muss sich mit Godzilla zusammenschließen, um ihren Planeten vor dem Monster zu retten, bevor es zu spät ist. Godzilla - The Planet Eater ein Film von Hiroyuki Seshita und Kobun Shizuno. Inhaltsangabe: Dritter Teil der animierten „Godzilla“-Filmreihe, die in Deutschland. Man hat mit der Anime Form alle Möglichkeiten, stattdessen bekommt man Anime Charakter ohne Sinn und Verstand, sowie 5 min Godzilla Action. „Godzilla: The Planet Eater“ // Deutschland-Start: 9. Januar (Netflix). Alle Versuche der Menschen sind fehlgeschlagen, keiner von ihnen. GODZILLA The Planet Eater. + 1 Std. 30 soulpact.eu Da die Erdallianz geschwächt wurde, zieht Haruo ein Bündnis mit den Exif in Betracht. Subscribe To MovieAccessTrailers To Catch Up All The New Movie Trailer, Movie Clips, TV Spots GODZILLA The Planet Eater | Netflix Official SiteYour browser. Schnittberichte, News (z.B. Uncut-DVDs & Blu-rays) und Reviews zu Godzilla: The Planet Eater (OT: Godzilla: Hoshi o kû mono | Japan, | Abenteuer.

Godzilla: The Planet Eater

Man hat mit der Anime Form alle Möglichkeiten, stattdessen bekommt man Anime Charakter ohne Sinn und Verstand, sowie 5 min Godzilla Action. In Godzilla: The Planet Eater (GODZILLA 星を喰う者 Gojira: Hoshi o Kuu Mono) muss sich Godzilla diesmal nämlich seinem ewigen Erzfeind. Schnittberichte, News (z.B. Uncut-DVDs & Blu-rays) und Reviews zu Godzilla: The Planet Eater (OT: Godzilla: Hoshi o kû mono | Japan, | Abenteuer.

Godzilla: The Planet Eater - Inhaltsangabe & Details

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Godzilla earth vs King Ghidorah SFX Mit GODZILLA – THE PLANET EATER ist die Anime-Trilogie auf Netflix endlich abgeschlossen. In ihrer Gesamtheit ist dies eine tolle Filmreihe. In Godzilla: The Planet Eater (GODZILLA 星を喰う者 Gojira: Hoshi o Kuu Mono) muss sich Godzilla diesmal nämlich seinem ewigen Erzfeind. In dieser von den Bestseller-Memoiren inspirierten Serie kämpft eine alleinerziehende Mutter als Hausmädchen gegen Armut, Obdachlosigkeit und Bürokratie. Zensurjahr Filme Zensurjahr Sicario Streamcloud German Godzilla - Der Retter der Erde Godzilla: Domination! Deathcember: 24 Doors to Hell. Film-News Spiele-News. Das Drumherum ist ohnehin schwach, zu oft versteift sich der Anime auf pseudophilosophische Gangster Chronicles Stream, anstatt sich mal 286 Inhalt und Figuren zu kümmern. Survive the Night. Aller guten Dinge sind drei. Akzeptieren Tamara Bunke ändern. Megaguirus BTW, Harou acts like a toddler Permalink You are ignoring the author La Liberta this comment Show comment Manage ignore list Titan of Water Survivor Online months ago Score Sport Tv Deutschland Oh there are definitely still problems with them and the movie, but I just feel like I should give credit where credit is due. Fujita notices that the trilogy also provides commentary on themes of mind control and conformity. I think most of the anger over the traditionalists thing comes from Omni viewer. Martin and Josh, observing the battle, determine that despite Godzilla's shield being activated, he Dazn Live Stream still taking damage from Ghidorah's assault. Now, Anna Fischer Facebook argues, his character seems to have been built that way by design, as the third film manages to deliver a satisfying emotional payoff to the character that makes the unsympathetic character of Haruo seem more like a major highlight of the trilogy than a glaring fault. Permalink You are ignoring the author of this comment Show comment Manage ignore list SkullIslandExplorer 22 months ago Score 0 Sure, if you like it, whatever. Godzilla: The Planet Eater

He is transported inside a Boeing B Superfortress flying above a Japanese city , and witnesses an atomic bomb being dropped onto it.

Metphies, seated next to him in the cockpit, explains how humanity's scientific advancement led to the development of such terrible weapons and consequently the emergence of Godzilla himself, the instrument of human extinction.

In the real world, Maina brings Martin into the Houtua temple and into the passage containing the Egg left behind by the Houtua's God. They place their hands onto the Egg, as Maina beseeches it to bring their message to Haruo.

Hearing Maina's plea, the Egg enters Haruo's vision in the form of the adult Mothra. Mothra flies over the B and tears Haruo free from the cockpit.

As he falls from the sky, Haruo hears Maina and Martin contacting him. Martin explains that Metphies must be guiding Ghidorah in this dimension somehow, and Haruo realizes that Metphies is doing so through the Garbetrium crystal in his eye.

Ghidorah appears in the vision and engulfs Haruo, who next finds himself reliving the destruction of Mechagodzilla City from inside the Vulture.

He asks Metphies why he is showing him this, and is transported aboard the Aratrum. He witnesses Metphies handing an elderly passenger a bomb before he boards the Landing Ship bound for Tau-e.

Haruo realizes that it was Metphies who orchestrated the destruction of the ship all along. Daichi Tani and the other elderly passengers then appear before Haruo.

Daichi explains that they wanted to die, as it was a form of mercy, and asked Haruo to understand. Metphies continues subjecting Haruo to more visions.

Haruo finds himself as a child standing next to Metphies on the Aratrum launch pad once again, witnessing Godzilla appear over the horizon, but this time the shadows of Ghidorah's heads stretch across the ground.

Haruo frees his arm from Metphies' grasp and walks backwards to pick up the flower locket his parents had given him. This triggers a flashback of Haruo's parents watching him inside his crib as a baby.

They discuss his name, Haruo, which comes from the Japanese word for "spring. Haruo is whisked back aboard the Aratrum where Daichi pleads with him again to give in.

Haruo musters the strength to reject Daichi and grab him forcefully by the head. This snaps Haruo out of the vision, and he finds himself now holding Metphies by his head.

Haruo firmly rejects Metphies' ideology, saying he will not let Ghidorah destroy everything just so he can defeat Godzilla.

He presses onto the Garbetrium crystal with his thumb, shattering it. With the crystal destroyed, Ghidorah loses his connection to Metphies and becomes bound by this dimension's physics.

He shrieks and releases Godzilla, who finds that he can now make physical contact with his enemy. As he falls back to the ground, Godzilla courses with electromagnetic energy and swings his tail to fire a plasma cutter which produces a cloud of smoke and debris that extends all the way to the hill where Haruo is.

Ghidorah tries to bite down on Godzilla again, but he swings his tail at one of Ghidorah's necks, knocking it to the ground. The head cries out before dissipating into golden particles.

Godzilla grabs another head and tears off its lower jaw, causing it to vanish as well. Ghidorah's last remaining head releases Godzilla and tries to retreat back into its portal, but Godzilla fires his atomic breath directly into its mouth.

The beam penetrates through Ghidorah's head and destroys it, then strikes the black portal from which it emerged.

The portal explodes, and Godzilla promptly charges and fires his atomic breath at the next one. Godzilla finally destroys the last portal, and the swirling vortexes disappear as the sky becomes clear again.

On the hill, Haruo regains consciousness and finds Metphies laying against a rock. He approaches Metphies, who places his hands on him and declares that for as long as Haruo lives, Ghidorah will be watching him.

Metphies then lowers his hands and dies. Despite what he had done, Haruo still grieves for the person he long considered his closest friend.

He cradles Metphies' body in his arms and sobs. Months later, and the surviving humans have integrated with Houtua society. They laid down their weapons and abandoned their armors, adopting the culture and clothing of the Houtua and living alongside them.

Maina is pregnant with Haruo's child, and Haruo at last seems to have found some measure of peace and happiness with his new family.

Miana brings Haruo outside to show him a field of blooming flowers. Haruo remarks that even though he was named after spring, this was the first time he truly saw it.

Martin sees Haruo and calls him over to show him something. He explains that he finally figured out how to reactivate the last surviving Vulture from Mechagodzilla City using Nanometal he harvested from Yuko's body.

With the self-replicating ability of Nanometal, he explains, they will be able to completely rebuild human civilization and abandon the Houtua's primitive lifestyle.

Haruo experiences a sudden vision and hears Metphies' voice explain that the cycle of destruction will continue and that time is on his and Ghidorah's side.

Haruo returns to the village and sits next to Miana and Maina. Miana notices that he seems distressed, but he declares he is fine and leaves.

Miana follows him and finds him picking up Yuko's body. She asks what he is doing, but he asks her if she thinks Godzilla is scary.

She says that Godzilla is scary, so Haruo says she must hate him. Miana replies that the Houtua do not have a word for "hate," and while Godzilla is scary storms and natural disasters are scary as well.

The Houtua do not hate Godzilla any more than they hate tornadoes or earthquakes. She tells Haruo that she doesn't understand what he is saying, and he responds that if he stayed that she might understand him, which is what he is afraid of.

That is why he must leave, he says. He picks up Yuko's body and leaves the village, then brings her into the last Vulture.

He activates it and begins flying toward Godzilla, who is standing dormant in the open. As the Vulture approaches, Godzilla awakens and begins charging his electromagnetic energy.

Haruo yells at Godzilla that he is the last remnant of humanity's past, and represents all the lives and dreams Godzilla destroyed.

He asks Godzilla to completely burn away the hatred of the past and this time leave nothing behind. Haruo becomes silent and accepts his fate peacefully as Godzilla obliges and fires his atomic breath at the Vulture, which crashes and explodes.

Many years later, a ritual is held in the Houtua temple. A group of children, descendants of humans interbreeding with the Houtua, offer up cords they made representing negative emotions and ask to be protected from things that scare them.

A priestess burns these cords along with a wooden effigy of the Vulture, asking their "vengeful god" to keep them safe.

Seated off to the side, a now elderly Maina proudly looks on. The front of the pamphlet depicts three intertwined glowing dragon-like necks and heads, clearly representing Ghidorah.

The back of the pamphlet features an Exif symbol glowing like the dragon heads on the front, along with a tagline that roughly translates to "Bow down and worship the golden demise.

The official website stated that the film would be the "final chapter" of the saga and would reveal the meaning of the name "Ghidorah" spoken by Metphies.

It also promised that the film would finally feature a monster showdown. A new screenshot of protagonist Haruo Sakaki from the film was also released, along with a brief description of the story, stating that the film would feature Godzilla Earth facing off against Ghidorah.

The official website for the film was updated, providing both Japanese and English story descriptions for the film as well as updated cast and staff lists.

It was also announced that singer XAI would be returning to perform the theme song for the film, " live and die.

On September 20, Toho released 13 new screenshots from the film, most of which were previously included in a short brochure for the film distributed in Toho's cinemas.

It also revealed some more details on Ghidorah, explaining that he has destroyed thousands of planets since destroying the Exif home planet of Exifcalus , years ago, and is worshiped by the Exif as the "Golden King.

On October 19, it was announced that a red carpet event for the film would be held at the Roppongi Hills Arena on October 25, the first day of the Tokyo International Film Festival.

In an article published on October 30, The Washington Times reported that film directors Hiroyuki Seshita and Kobun Shizuno acknowledge that their film is so different it might disappoint some hardcore fans, but also say that is an intentional attempt to reach out to new audiences.

Seshita states that he and Shizuno "welcome getting bashed by traditionalists," arguing that it proves more than anything they succeeded in creating something different.

The two directors then state that rather than simply transferring the well-known tale into a computer animation, they have focused on what they call Shakespearean "human drama" and tackle complex issues, including the meaning of religion, in a futuristic post-apocalyptic universe.

Shizuno admits that he is not a Godzilla "expert," so he simply made a film he thought would be enjoyable. View all posters for the film here.

Meyer gives the film a positive review, and he argues that it "vindicates the trilogy in a way that manages to stay true to it while also being true to the franchise and what fans have come to expect when they sit down for a Godzilla movie.

Meyer is complementary of the character of Metphies , expressing his belief that the character's ambiguous intentions at the start of the film provide a fair deal of intrigue.

Meyer goes on to say that there are many "wacky scenes and wacky lines of dialogue" in the film, but that they are "my kind of crazy.

Here, according to Meyer, scenes of monster action seem to come earlier in the movie, and despite a lack of cities to be destroyed, the sequences of Ghidorah approaching the Aratrum and Godzilla's confrontation with Ghidorah in an open expanse are highlights that make the movie feel like a Toho Godzilla film.

Meyer believes that this film manages to provide a strong and satisfying conclusion to the trilogy: "When the cultists beseech Ghidorah, 'Bring us a glorious finish,' it seems those prayers have been answered for the trilogy itself.

He also says he feels that the framing for the monsters' battle is more impressive than the battle itself. Meyer raises the possibility that the theatrical presentation of the film may have helped it, and that he is unsure if it would leave the same impression for a viewer watching it on Netflix.

Despite all the flaws, Meyer suggests that GODZILLA: The Planet Eater has many positive aspects and memorable moments that both make it stand apart from the previous films and retroactively improve the perception of those films.

Meyer summarizes his thoughts with "Rather than revert to a big dumb monster movie, The Planet Eater is able to balance its kaiju action with life-and-death concerns while wrapping up threads of character drama woven through the trilogy as a whole The movie plays with rich themes that might leave you thinking or scratching your head as you wait for the post-credits scene.

However, he goes on to say that "the more I thought about the movie, the more I felt I understood the spirit of it and what it was trying to say about human nature through the lens of Japanese filmmaking.

He noted that the film was a grim and full of psychologically complex themes as one would expect from the work of Gen Urobuchi. He highlights the film's central themes, the first of which being the idea that civilizations are destined to advance to the point they create a civilization-destroying monster.

For humanity , this monster was Godzilla, nature's response to their reckless destruction of Earth 's environment. The Bilusaludo believed it was better to become that civilization-destroying monster so they can defeat any other monsters, and thus created Mechagodzilla.

The Exif discovered that the universe was finite and embraced a nihilistic ideology, thus bringing Ghidorah into their reality to destroy their planet and all others in the universe.

The second central theme, as Eisenbeis argues, is Haruo's desire for revenge against Godzilla. This desire is what drives Haruo to keep fighting even when victory over Godzilla seems impossible.

Thus, it makes him vulnerable to the Exif's way of thinking; allow Ghidorah to destroy Godzilla and sacrifice the Earth and the rest of mankind in the process.

However, the film shows that Haruo is not willing to give in to the Exif's nihilistic view, and instead accepts the Houtua 's hopeful philosophy.

They live in harmony with their monster, Mothra , and are able to coexist in a world with Godzilla just by living in harmony with nature and avoiding him.

Eisenbeis says that the films of the anime trilogy therefore hinge on Haruo's internal battle and the conflicting ideologies of the various races. This is where he says the film places its focus, but as a result there is very little monster action, something one would expect from a Godzilla film.

Rather, it is about a battle of philosophies. However, while Haruo's internal battle takes place, Godzilla and Ghidorah do fight it out. Sadly, it's also the most boring part of the film.

He praises Ghidorah's new design which is radically different from past ones but still recognizable as Ghidorah.

Furthermore, Eisenbeis compliments the visual spectacle of the film's climax, showing the internal conflict in Haruo's mind as Metphies attempts to convert him to his way of thinking.

As he says, "where the film really stands out is its climax, which evokes the most taboo moment in Japanese history and uses it to build a beautiful yet haunting image that wordlessly reveals the state of Haruo's tortured soul.

Rather, he says the film's message is that technology will prove to be humanity's downfall, and the only salvation is living in harmony with nature.

If nothing else, you will be left mulling it over as the credits roll, which is probably exactly what the filmmakers intended. He says that "Getting through the first two films may have felt like a chore, but The Planet Eater offers an emotional payoff and makes the trilogy as a whole much better when viewed as the conclusion of a single, ambitious longform story.

While there still is not a great deal of kaiju action in the film, Fujita says that it does thankfully include more screentime for Godzilla in a trilogy consisting primarily of dialogue from the characters.

While he feels disappointed by the trilogy's lack of monster action, Fujita pays notice to the pervasive sense of despair in the film, which he says is an important element in the best Godzilla films.

Fujita goes on to say that the film manages to condense the essence of the franchise to a series of important philosophical questions, such as "What is the point in fighting a creature such as Godzilla, rather than simply accepting it and living alongside it?

What is survival really worth? What is the meaning of civilization, and the damage it can cause? Fujita notices that the trilogy also provides commentary on themes of mind control and conformity.

In the first film, the United Earth military unquestioningly follows Haruo into battle. In the second, the Bilusaludo attempt to create a world of perfect logic where man and machine are one.

And in this film, the Exif brainwash the survivors into their nihilistic religious doctrine, creating a death cult dedicated to Ghidorah.

Fujita argues that the third film could not deliver the payoff of gripping human drama without the events of the previous two, thus justifying the process of watching all three films unfold.

Fujita then shifts focus to the character of Haruo Sakaki, who he found to be a difficult character to relate to in previous films as he was driven by his own reckless desire for vengeance against Godzilla.

Now, Fujita argues, his character seems to have been built that way by design, as the third film manages to deliver a satisfying emotional payoff to the character that makes the unsympathetic character of Haruo seem more like a major highlight of the trilogy than a glaring fault.

Fujita concludes, "This had-to-define, complicated, bitter flavor is the essence of the best Godzilla movies, and The Planet Eater offers this in spades.

While it took awhile to get there, the animated Godzilla trilogy ends with a fascinating chapter that — while unexpected — is worthy of the franchise.

It may have been a long and uneven journey but The Planet Eater ultimately makes it all one worth taking for Godzilla fans. This is a list of references for Godzilla: The Planet Eater.

These citations are used to identify the reliable sources on which this article is based. These references appear inside articles in the form of superscript numbers, which look like this: [1].

Showing comments. When commenting, please remain respectful of other users, stay on topic, and avoid role-playing and excessive punctuation.

Comments which violate these guidelines may be removed by administrators. Godzilla Master. Ending was kinda anti-climatic.

I mean, they built up Ghidorah as this insurmountable foe, only to have him be defeated by Godzilla because Haruo discovered his weakness.

As if it wasn't bad enough, Haruo then proceeds to commit suicide! This film series did not end on a high note, which really makes you feel like you watched the entire series for nothing.

I was dumbfounded when I watched Haruo die. But I guess his death kinda made sense, in a way. But then again, couldn't he have just, doh I dunno, put the Vulture on auto-pilot or something if it had that function?

I did really like the trilogy, though. It was all an interesting take on a lot of things Godzilla-related. Les: Huh. That's actually a good point.

I mean, I knew why he did it, but it was just a little sad. Especially with Live and Die starting to play.

Perfectly-done thematic appropriateness. Titanus Gojira. Green Blob Thing. Triceradon the 8th.

While I'm admittedly in the camp of G-Fans who really doesn't like the Anime trilogy, I must confess that Ghidorah having a whole cult centered around him is a cool idea.

Titan of Water. Astounding Beyond Belief. Now that January 9th has passed and after pre-ordering my S. I actually did see it. The King of the Monsters.

People are continuing to take that interview with Hiroyuki Seshita out of context and insisting he intentionally made the movies different to piss of fans.

That's not what he's saying at all. Seshita is a lifelong Godzilla fan, and he felt it was important to have a non-fan's perspective to try and make the films appeal to a broader audience outside of hardcore fans.

So he told Kobun Shizuno to not watch any other Godzilla movies until the trilogy was finished, that way they would be able to combine the perspective of a fan and an outsider.

Seshita was saying that the fact some traditionalist fans have hated the movies at least proves he did succeed in making the movies different, which was one of his goals.

He doesn't say anything about how that reflects the quality of the films or even whether these people are justified or not, he is simply saying that it shows he achieved one of his goals with the trilogy.

Seshita and Shizuno also make it clear they were careful to not drift too far from what defines Godzilla as a character. They changed his origin, sure, but kept the basic design and abilities intact and were sure to portray him as a force of nature spawned as a consequence of mankind's recklessness, especially the use of nuclear weapons.

Shizuno, even as someone who had only seen two Godzilla movies, was very careful not to ignore the core features of Godzilla as a character and tried very hard to remain true to it.

The King of the Monsters: Well hello Mr. Alright, fine Astounding. A litteral Mothra egg. Chainsaw Gigan.

Well Astounding I HOPE! No sir, I do not. Godzilla Raids Again. So at one point in the trailer, Haruo is in the Houtua hideout hugging one of the twins.

Oh dear god no!!! Why would you take a flipping Godzilla movie and sprinkle hentai all over it!!? Screenshot for reference:. Sam The Giganfan.

You can clearly see in the silhouette from the theater pamphlet that Ghidorah has a full body with tails and wings. The poster merely shows Ghidorah's heads coming through wormholes.

We haven't seen his full form just yet. If this somehow fails and it doesn't show a battle between the two and they pull a middle finger.

I swear I'm gonna I'm gonna I'm not what is expected anymore. AGT Man. Welcome to Wikizilla! Log in or sign up to edit pages and contribute. From Wikizilla, the kaiju encyclopedia.

Jump to: navigation , search. Comments Showing comments. You are not allowed to post comments. Sort by date Sort by score.

Enable comment auto-refresher. Score 1. You are ignoring the author of this comment Show comment Manage ignore list. Godzilla Master 5 months ago.

Score 0. Shogunguirus 6 months ago. I don't hate the anime trilogy. I'm fine with it. But when a story doesn't even try to have a good ending despite its already mediocre plot, it is barely worth it to listen to what it's trying to say.

AngiraBlu 6 months ago. Basically, it's a future where Godzilla does die from the Burning form, bcuz Mothra never finds out about the symbiotic link between Godzillasaurs and Divine Moths, which would've saved him [even though she can perform and energy transfer, but I guess her life force is necessary for keeping the Burning form stable].

Several years after Godzilla's death, all kaiju go haywire and out of nowhere the Earth produces Godzilla Earth [?

Les 6 months ago. Putting the Vulture on autopilot would've been missing the point of the scene.

He knew full well ramming a Vulture into Godzilla wasn't going to do shit to him. That wasn't his motivation.

He wanted to die so that he would be freed of the burden of Godzilla and not endanger his family and the rest of humanity by leading them into more suicide missions against him.

Titanus Gojira 11 months ago. Hulk10 13 months ago. Green Blob Thing 14 months ago. I absolutely adore the music in the scene where Godzilla finally gains control over Ghidorah and disposes of him and his portal things.

It really helps elevate it. TBH, I kinda started feeling bad for Ghidorah when he was getting his extradimensional eldritch butt handed to him, for some reason.

Not sure why, though. Is it kinda bad that I felt sympathy for an evil world-eater??? JZilla 16 months ago. The is my least favourite godzilla movie, but it has grit unlike the last movie and has stakes.

Triceradon the 8th 17 months ago. Godzillakid 17 months ago. Here's my review of TPE. I can only say one thing: Magnificent. While it will never be as good as some other movies, it was the best of the trilogy in my opinion.

It is so cool how instead of Ghidorah being a pawn of aliens, the aliens are the pawn of him. Alot of the middle is trippy visions and flashbacks.

But with Haruo committing suicide in order to keep earth safe is interesting and sad. JurassicKaiju14 16 months ago. I was kind of hoping something similar would happen in KOTM, to be honest.

ItsDestoroyah 18 months ago. I wanna order one of the planets Ghidorah ate. Maybe a piece of Jupiter or Venus. Kaiju 20 months ago.

Green Blob Thing 20 months ago. Ghidorah could've been given more to do, but was cool nonetheless. A neat ending to the trilogy.

Aggression25 21 months ago. Now I'm just hoping that King of the Monsters will do better than this film, even though the end music was good.

Titan of Water 21 months ago. Could we give some respect to my boy Chris Niosi? The movie might not have been good but you can tell he gave his all in his performance as Haruo.

SuperZillaRealms 21 months ago. Score 4. I saw the film and to be honest I enjoyed it! You see him struggle through out the films making drastic choices to benefit humanity even though some of those choices brought the downfall of other characters.

Not only that each of the monsters represent something, Godzilla represents Earth and its ecosystem, Mechagodzilla represents Human technology and civilization while Ghidorah represents space and religion.

Serizawa Ken Watanabe the reason is because there was no development nor were there complete story arcs. Shin Godzilla is an exception because its a plot driven film instead of a character driven film.

Back to the anime trilogy, the characters had development with completed story arcs and each did have a time to shine in their own respected films.

And I do like the conclusion the trilogy has showing the Haruo grew during these past events annihilating himself with Yuko and the remaining Vulture to rid humanity of their past also to prevent Ghidorah from devouring the planet again.

Overall I give it a 7. SkullIslandExplorer 19 months ago. I think Planet of the Monsters is the best out the Trilogy. But if you like this installment, more power to you.

ItsDestoroyah 22 months ago. So I read about the movie's plot. Not spoiling it. I'm not giving any hints or say what it is. Astounding Beyond Belief 22 months ago.

SkullIslandExplorer 21 months ago. Spinocroc 22 months ago. Score 3. CanI just say how awesome this movie was?!

The plot, the characters, the way Ghidorah was handled, the Mothra cameo, everything was beautifully crafted.

Metphies was the best villain I've seen in a while in a Kaiju film, and despite his actions he was still given an honorable farewell. Couldn't be more happy with the results.

There are definitely flaws, but they aren't too distactive from the overall product. Titan of Water 22 months ago.

SkullIslandExplorer 22 months ago. GojiJunkie 22 months ago. Score I watched the movie, and I know it's become cliche to hate on the anime films, but I honestly hated it.

This movie made me question if someone slipped something funky in my drink during dinner or if I was on laughing gas.

It makes Godzilla vs. Hedorah seem like a totally normal, not strange at all Godzilla film. It has all of this religious and philosophical mumbo-jumbo that doesn't make any sense in the slightest manufactured from cardboard cut-out characters and lackluster action.

I was bored, perplexed, and extremely disappointing. There was so much cringe in this film too, especially that extremely forced sex scene between Haruo and one of those twin girls.

I will never watch a single one of the three anime films again. BTW, they have no respect. In other words, they can piss off! It seems that people hate quality now a days.

Score 2. If there is one positive thing I can say about Planet Eater, is that unlike the other two I actually was able to feel a connection to some of the characters, specifically Haruo and Metphies in their final confrontation.

Oh whatever, those ants were poorly written. BTW, Harou acts like a toddler. Oh there are definitely still problems with them and the movie, but I just feel like I should give credit where credit is due.

Sure, if you like it, whatever. All I saw was Treebeard fight Parallax. Holy mother of god, the salt is really expensive here.

The King of the Monsters 21 months ago. Score 6. I don't care if someone likes or dislikes these movies; my point is that it's ridiculous how so many fans are throwing tantrums over a line from an interview that has been misinterpreted and taken out of context.

This trilogy was never about changing things for the sake of being different or intentionally pissing off fans, it was about telling a different story that could reach audiences who were unfamiliar with Godzilla, and Seshita feels that some of the negative reactions the films have received at least show he managed to make it different.

SkullIsland 21 months ago. I think most of the anger over the traditionalists thing comes from Omni viewer. He's the one that I think pretty much kicked off most of the hate towards the interview.

My tech is acting up. Astounding Beyond Belief 21 months ago. Maybe stop screaming at everyone who expresses a contrary opinion if you want to continue posting here.

Watched the movie. Better than the other two, but only just okay. Unlike the last two, there were actually some genuinely emotional moments, though there is still just as much technobabble in between.

What elevates this movie over the other two for me is actually some good character development. I do have a question though.

What was this film trying to say. The only two I can think of is that the writers are either reeling us. A litteral Mothra egg 22 months ago.

I think it maybe more about letting the past be the past and not contribute to an endless cycle of misery and nihilism. ShodaiMeesmothLarva 22 months ago.

SkullIsland 22 months ago. The King of the Monsters 22 months ago. Only of her outline, and it's obscured by cast bios.

It would be easier just to take a screenshot directly from the film. January 9th, huh? That same day is when you can pre-order two of S.

Gojira 23 months ago. Chainsaw Gigan 23 months ago. SkullIslandExplorer 23 months ago. NOTE: I know that last part above is a possible mistranslation, but you never know.

Astounding Beyond Belief 23 months ago. I mean Do you just lurk around the comments section? It doesn't require a tremendous amount of effort.

Much like watching more than one of these movies, which seems a prerequisite to gathering evidence on why they're bad. Toolen 22 months ago. I heard about that interview.

I disagree, though. Neither Shizuno nor Seshita have outright dismissed all the criticisms as invalid, nor have they insulted those criticizing the film.

He just said that he knew their work would be criticized. Ignoring whatever that was I think these films have suffered from being, well, films.

The Godzilla anime was originally planned as a TV show, but Toho wanted them in theaters because Shin Godzilla did so well.

I hope! That's fine for a story presented in weekly installments or all at once, but telling it in three chunks over the course of a year leaves the first two feeling incomplete.

So we end up talking more about how Mechagodzilla is different than why he looks different. Oh, sorry, my normal speaking voice can be a little quiet Happy New Year!

Goldn 22 months ago. Astounding Beyond Belief: Yeah, I guess so. Goldn: XD. Your comment made me die!

Not for me, but we can't add the plot from another website. Just wait for January 9 seeing it's close to the end of the year. Titan of Water 24 months ago.

From the trailers it looks like Haruo will get knocked out during the battle and have a trippy vision or something. Chainsaw Gigan 24 months ago.

Movie come to Japan tomorrow. Sorry, I forgot to mention it might take Days before he posts anything. ShodaiMeesmothLarva 24 months ago.

Let me guess, the kaiju scenes are only three minutes while the battle lasts only 60 seconds. It's January 9, to be exact, two months after the Japanese release.

Also, Ghidorah's page under Origins section says , years ago while this page says it's 10, It is causing confusion for some users? With the earth alliance weakened, Haruo weighs siding with the Exif, whose death cult is summoning a monster that can destroy the world.

Watch all you want. More Details. Watch offline. Available to download. Arabic, German, English, French, Japanese.

More Originals. Coming Soon. A suburban mother of two takes a fantasy-charged trip down memory lane that sets her very married present on a collision course with her wild-child past.

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1 Comments

  1. Arashijas

    In der Wurzel die falschen Informationen

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